Created by Ngozi Ukazu, Check, Please! is the story of Eric “Bitty” Bittle, former figure skater and baking enthusiast, as he navigates through his college years on a varsity male hockey team full of big, supportive, and emotional jocks.
How are the characterizations of the newest hockey players so strong in just a single chapter?
The newest members of the Samwell men’s hockey team - Hops, Bully, and Louis - had been slowly introduced in previous chapters as side and background characters. It isn’t until “Haze by Hazewest” that they are given names and a proper introduction as the story focuses on their hazing. In 2018, I had the pleasure of personally asking creator Ngozi Ukazu about her characterizations, specifically how she managed to make them so strong in such a small amount of time. At the time, “Haze by Hazewest” was one of the latest chapters published, and I felt that the these new characters, the waffles, seemed incredibly fully-fledged. Ngozi answered by saying it essentially came down to details, making sure that every opportunity is taken to develop a character by the way they speak, what they do, and how they react.
Panel 5 gives good initial insight into all three of them. While discussing their week tasked with carrying the blankets Bitty gave them, Bitty overhears Hops wondering out loud about his hazing methods. After being fined by Bitty, Hops claims he was “hypothesizing,” which is a very particular choice of words. He didn’t say “thinking,” “wondering,” or a similar verb. This sets Hops up as a bit of an intellectual, or at least methodical in his thinking. Louis’s reaction to the group fine and his excitement at talking about his music sets him up as having a big, boisterous personality; he’s basically the team’s new Holster. Bully seems to be the polar opposite of Louis: quiet, collected, and as seen in panel 7, effortlessly cool. Even after being fined by Nursey, he easily brushes it off. This juxtaposition sets Bully up as the anti-Nursey, an actually chill and cool person, everything Nursey claims to be.
Ngozi’s characterization style in Check, Please! not only works well because of the richness in detail, but also because of the wide ensamble the comic has at this point in the story. It allows for comparisons and contrasts to be drawn (pun possibly intended) as the different characters interact with each other. This playfulness in character creation and dynamics is one of the reasons this comic is a joy to read.